Follow up to my presentation at the 2013 American Mosaic Summit

This post is a follow-up to a slide presentation that I delivered at the American Mosaic Summit in Tacoma, WA last week detailing the challenges and rewards of facilitating my first community mosaic.  I had to talk fast because my time was limited, and I was so nervous I failed to tie up some loose ends in the story.  I've been asked a lot of questions over the past few days, so I'll try to answer some of them here.

The most popular question: "Would you do it again?"

• Yes!  I hope to continue to create mosaic in communities at least once or twice each year.  This first project was hard and had some challenges, but now I can anticipate some of those problems and plan ahead.  
• I would pre-grout the individual fish before adhering them to the substrate (so the thinset couldn't push through.) 
• I would insist on doing outdoor installation in summer and avoid a steep deadline.  
• I would do more to disseminate information about the project before and during execution.
• I now have a posse.  I know who to call when the next project rears it's head.
• I would probably even do the work indoors on mesh, then do the installation myself (although that doesn't allow for passers-by to get involved, which felt essential in the case of the Artesian Well.)

Next most common question:  "Did you stay in touch with Thor?"

• Yes, Thor and I stay in touch via email and facebook.  After the project, he moved out to my friends' goat farm and worked as a farm hand, but since it wasn't on the bus line, he had to move back to town after the summer and his housing situation continues to be tenuous.
• I had Thor and my other core volunteers out to my house for a mosaic workshop as a thank you for all of their dedication.  I gave him some tools and materials to work with, though it can be a challenge for him since he doesn't have a place to keep his stuff or a work space.
• I did a little fundraiser for Thor last October, which was originally intended so that he could attend the conference.  However, his immediate needs have to do with housing, food, and a way to keep making art, so I used the money I raised to buy him some mosaic books and supplies.
• Thor owns very little, but he does have a laptop and vinyl cutter and he does freelance work making signs and designs that can be adhered to just about anything.  His goal is to get back into graphic arts school so that he can get back on his feet.
• If you have any ideas for a vinyl design (Your logo for your car or laptop?  Signage?) here is Thor's facebook page: https://www.facebook.com/jasun.thor  Send him a message.  Keep in mind that his email access is intermittent, but he usually responds within a couple of days.  Hopefully, he'll be in a solid living situation soon with his equipment all set up and ready to go.
• If you are in the Olympia area and you have a lead on a space that Thor could use to keep his equipment and work on art, please contact him.

People asked, "Why is there such a large homeless population in Olympia?"

• Ok, I don't actually know the ins and outs of this topic, but here's my take:  For one, there are homeless folks in every city.  I think many cities do more work to hide the homeless.  There are strict ordinances against loitering and the services for street dependent people are placed far from the business districts so that "regular people" don't have to interact with those suffering from mental illness and drug addiction.  (I could expound on the influence of Reagan-era changes to the mental health system and how that created our current situation, but I'll spare you.)
• Yes, it does have a very devastating impact on the downtown businesses.  Those "regular people" avoid shopping in that area.
• The climate in Western WA is temperate, so people are less likely to freeze to death without housing.
• Olympia is a very "earthy-crunchy" place, where Evergreen State College students and graduates are working hard to subvert the dominant paradigm and laws are being passed on the capital campus, so there is a lot of activism.  There are a lot of compassionate people who pass out sandwiches and try to help however they can.  And there is a free source of water for washing and staying hydrated.

And the loose ends that I didn't tie up:

• I started out my presentation describing myself as introverted and shy, lacking in leadership skills.  Through doing this project, I learned that I have quiet leadership skills.  I can mediate and diffuse.  I am flexible and open to ideas.  I overheard someone telling a reporter that I was "the only person who could have done this project successfully."  I'm still trying to wrap my brain around all of this, but I see myself a little bit differently now.
• My own relationship to the well:  I moved to Olympia in 1988 to attend college.  I've always seen the Artesian Well as a sign of hope.  As we get more and more bad news about the Puget Sound (Oysters are dying, sea lion babies are starving to death in droves, the water is full of phosphates and acid...) there is still clean, pure water flowing out of this pipe in a parking lot.  Somehow, it makes me optimistic.  When the water starts failing the monthly tests, or the pressure starts to drop, I will really start losing hope.  Water is life, and the Artesian Well is a constant reminder that we have to protect it.

One more thing: I blogged regularly while I was doing the project.  If you go back to March of 2012, I was just starting, and you can read about the progress in more detail.  Here is the first entry about the Artesian Well project: http://cosmicbluemonkey.blogspot.com/2012/03/olympia-artesian-well-mosaic-beginnings.html  

Thor Fundraiser Change

Thank you to everyone who came to Mixx 96.1 during Arts Walk last weekend!  And extra thanks to everyone who contributed a few dollars to the collection for Thor to attend the SAMA conference.  I raised $75 toward my goal!

But, after talking with Thor a bit more and re-thinking the practicality of my idea, I think I am going to use the money a bit differently.  While Thor was at my show, he asked a lot of questions about how to get his hands on materials, and how he could accomplish certain projects, like making a concrete form in the shape of a pumpkin.  Bill from Mansion Glass took Thor next door to show him his free scrap glass, so that is a good resource, but Thor needs more tools and materials to continue to practice.

In the meantime, Thor is only 4 days away from losing his current housing situation and is desperately searching for another place to live.  While he is concerned about having a roof over his head, it seems almost silly to raise money for the SAMA conference.  I realized that it might not be of enough benefit to him to make it worthwhile.  I had to recognize that the whole idea was mine, and Thor is just good-naturedly going along with it.

So, I asked if he would prefer that I use the money to get him more supplies, tools, and maybe a book of mosaic techniques?  He was enthusiastic about that idea, so I hope no one will mind if I shift gears at this point.  I've already given him a small crate with nippers, glass, some adhesive and wedi.  He would love toyo cutters, groziers and running pliers, so I'll put the money toward those things, and maybe The Mosaic Book, which has some basic starter projects.

I do want to send a special thank you to Toni at Mixx 96 for contributing 1/3 of the money raised.  It was very generous!  If I lived closer to Olympia, I would create a program to provide art opportunities for people without access to them.  Piece by Piece in Los Angeles is an organization that I admire, providing mosaic instruction for homeless folks.  It gives people a safe place to be where they can express themselves and learn a new skill.  They sell the mosaic artwork to support the organization and continue to do outreach.  Yes people need food and housing, but creative work gives people hope and helps them to feel human in the midst of struggle.  It can be a healing and motivating factor in their lives.

Thanks everyone!  As Thor completes projects, I'll post photos.

Post-Artesian Reflections

On Monday morning, I drove to Olympia with an uncontrollable smile on my face.  Last day!  I knew I had 3 pails of grout to apply, and that it would be a rush, but I felt confident that I could finish.  It was drizzly, but plastic had been covering the surface to keep the concrete dry, and I had my canopy.

I set up and got started, and within an hour or so volunteers began to arrive.  I was surprised how many people felt compelled to be there for the last part, even though it was cold and rainy, and I had warned them that we were running out of things for everyone to do.  I think they all just wanted to see it through to the end.  Kim wiped down the epoxy grout while I mixed a new batch and kept on filling all of the grout lines with my spatula.  Susan filed sharp edges and Teasy polished the glass with superfine steel wool.  When Thor came, I had him mix the final batch of grout and he got the chance to try his hand at grouting for the first time.

Suddenly, it was time to pack up, but there was still about a foot-wide section without grout, and a lot of soft grout that still needed to be wiped down!  I knew Anouk was getting on the bus, and I needed to meet her at home.  Just then, Karen came by in her mini-van, and we came up with a plan.  Thor would finish grouting with help from the rest of the volunteers.  I left just the items they would need to finish up.  Karen would put supplies and the canopy in her van to hold onto until I can pick them up.  And I raced home, getting there a little bit late, but Anouk was home alone for no longer than 10 minutes.

It was hard to leave my big project without finishing it myself, but I was impressed that this group of people would jump in and save the day, and I knew they could do it.  The crew became very capable over the weeks they worked on the project.  Now, I realize that I could feasibly manage a community mosaic project without having to be present for the whole process.  Some of these volunteers could co-manage it with me as the lead, and we could take on projects all over Olympia and beyond!.  I've had my eye on that retaining wall right before the 4th Ave. bridge, on the hill - the one constantly being tagged and painted over.

Kim, Me, Karen, Thor, Susan, Teasy, and Robin - ready for the next project!

And the Eagles building.
And the walls of the Japanese Garden.
Just for a start.

On Wednesday, Lisandro and I took advantage of dry weather and did some filing and polishing.  We have a little bit more to go over, but it is essentially completed.  DONE!  I've been back at home and in the studio, trying to catch up on everything that has been neglected during the past 6 weeks.  It is overwhelming.  Floors need mopping, hooves need trimming, gates need fixing, the garden is about to be choked by morning glory, tilled garden beds are waiting to be planted, and my studio is piled so high with mess that it is hard to walk through it.  Meanwhile, I have committed to donations for art auctions and an exhibit, plus Matter Gallery has sold a lot of my work (yay!) so I need to get back to making art, asap.  I have so many ideas, and no ideas.  I'm finding it very hard to re-focus.

For now, I'm trying to just relax, recover, and enjoy the satisfaction of a job well done.

Approaching the finish line!

I don't know how many of my fellow SAMA members are following this, but I've been feeling as if I am leading a mosaic marathon, except that it is a month long and the people working on it are not SAMA members.  Most have never done mosaic before and are not familiar with terms like "andamento."

But, they are dedicated and enthusiastic, and they have stuck with the project all the way to the end - and we are almost there!

Last week, I felt very frustrated.  I mentioned it in a post on facebook, and was surprised how many people were incensed to learn that damage had been done to the work.  The information went a little bit viral, and I was concerned that I had inadvertently created more controversy.  But, I realize now that the result was very positive.  More people came by during this past week just to say thank you, and to express their commitment to protecting the mosaic.  One friend brought a bag of snacks last weekend, and I'm convinced that my volunteers would have run out of steam without that extra boost.  They all stayed until 6:30pm both Friday and Saturday of Memorial Day weekend.

It was a party!

Best of all, no one has removed our plastic coverings at night and there has been no tampering at all.  In less than a week, we have nearly finished adhering mosaic on the biggest and last part of the project.

There is nothing particularly innovative or fantastic about this mosaic, as mosaic goes.  It is a simple design: cartoon-like fish and completely random opus-palladianum mishmash background.  It is an onslaught of color and texture, interspersed with found objects and little surprises.  But, it has been the most meaningful project I've ever done.  I had no idea, starting out, how important this would be to the community.  First, I was very moved by the reactions of people at the fish-making event when they learned that they were invited to contribute to something that would become a permanent fixture in the City.  It was surprisingly emotional.

Never before have I allowed anyone else to work on a paid commission with me.  The first day that two volunteers showed up to help, I was scheduled for a photo shoot for a local magazine.  I had to hurry and mix thinset and give basic instructions.  I left Lisandro in charge of supervising and took off with the photographer.  Driving away felt so strange!

Slowly, more people were showing up, and anyone passing by could join us to put on one piece, or work for half the day, as they chose.  There has been so much surprise and delight in this mosaic.

One of the most dedicated volunteers is recovering from very tragic losses in his life.  He is struggling to find work as a graphic designer, but is living on the edge of homelessness.  He says working on this mosaic calms his mind, and he is often waiting in the morning when I arrive.  He mixed some of his girlfriend's ashes into the thinset one day to commemorate her in a permanent way.

Over the next few days, we'll be finishing up the background on the last pillar, and I'll do the last of the grouting.  It will be a huge relief to get back to my studio and garden, but I will also miss working with my lovely volunteers, plus all of the colorful characters who keep me company while I work.

Bouncing Back

I hit a wall this week.

Since the beginning of the month, I've been getting up every day at 6am to get my family off to school, then taking care of the farm animals, then driving 40 minutes to Olympia.  Then I set up my canopy, which is not a wimpy job, then unload a few hundred pounds of materials from my car.  I spend the day crouching on concrete, using my hand to nip and grout until it burns with pain, through lunch until my time runs out, then load it all back in the car, take the canopy down, and race back to my job as Farmer Mom.
 
*Excuse me for bragging, but I would like to mention that the car is a 1988 Toyota Corolla wagon with 342,000 miles on it - and counting.*

Monday and Thursday, I get an extra hour to work before racing home to meet the bus.  Fridays and Saturdays, I work up to 9 hours straight.  Even my volunteers, who work 2-3 days each week for shorter stretches are suffering severe aches and pains.

So, wouldn't you know it, this weekend I could feel a cold coming on.  I was dragging, so I took Monday off and got some rest.  On Tuesday, I wasn't quite recovered, but I was anxious because I had left two forms unfinished, wrapped in plastic.  I planned to do some grouting and to finish filling in one area.

I was frustrated to find that the forms had been unwrapped, and once again, pieces had been pried off.  I'm not sure I wrote last time, when someone bashed some of the stained glass and chipped pieces out.  And I think I just rolled my eyes every time I went to unwrap some earlier work, to find that someone stuck gum in the ungrouted section of the mosaic.  But this time, the pieces had been chipped off and scattered around the parking lot, and I felt so defeated I wanted to cry.

Just one example of damage done to the mosaic after hours.  There was a little glass foot on this fish tail.

Every time pieces are chipped off, I have to carve and scrape the thinset out to fit new pieces in.  Then, I can't grout until those are cured, so it can delay the project a couple of days.

I don't know who would do such a thing.  Most of the people who spend their days in that area are homeless, or living on the fringes, but they are not mean-spirited and I am on friendly terms with most of them.  There is a group of youth who band together and are not friendly toward me.  They occasionally send a messenger over to ask a pointed question such as, "So, who paid for this project?"  When I explain that it was funded by downtown businesses and commissioned by the City, they look very satisfied, but angry, and report back to the group.  In the mornings after damage has taken place, the City's signs asking people to respect the artwork will be torn off and flung to the side, and messages will be scrawled on the walls and the well saying, "Take back the well" and references to "anarchy."  Some of them have mentioned that they think improvements to the well amount to "gentrification."

These are the only clues I have.  It could just be kids on meth attracted to shiny things, in a destructive frame of mind.  But, it was pouring rain, blowing in sideways despite my canopy.  Lisandro and I were on a tarp that had started out dry, but eventually just gathered pools of water.  I was shaking so much from cold I kept dropping my pieces, and everything was sliding and dripping and drooping, including my stamina.

We actually got a lot done that day, but I couldn't bring myself to go back on Wednesday.  And I really had to pull myself up by my bootstraps to go in today, especially since it was raining again.

Lisandro has just finished wrapping the plastic with duck tape, and is ready to go home and drink hot tea.

But, Lisandro had brought duck tape on Tuesday, and the plastic stayed put.  So I put up the canopy and grouted the top of the bench - the part that had received the most abuse.  Once it is grouted, it is less vulnerable and people can comfortably sit on it.  As I worked, the sun came out.  There's a guy who plays guitar and sings a song about the well ("Come to the well and drink freely,  Come to the well, and be free.  Come to the well, and drink freely.  Come to the well and have a nice day!")  He played and sang.  A lot of people came by to thank me and express concern because they had heard about the damage.  Several more people said they would volunteer this weekend.  My cold symptoms disappeared.  Once again, I was excited about the project.

Tomorrow, we will start the final concrete structure - the biggest one.  I'm in the home stretch!  It's going to be a mild, sunny weekend and quite a few people have said they'll be joining me.  I guess I really just needed a couple of days off to get my groove back.

Art, Mosaic, Water and Community

As you know, I've been in progress on the Artesian Well Community Mosaic project for several weeks now.  I spend day after day residing at this amazing natural resource, slowly adhering mosaic fish made during a community mosaic weekend, and filling in around them with a variety of tile, glass, shells, mirror, and found objects donated by local people.

(Product placement: Laticrete donated the very high-quality thinset being used for this project.  Thank you, Laticrete!)

Originally, I planned to fill in the background on my own, to ensure a consistent design and quality application of materials.  However, a tight deadline and experience spending time at the well lead to a change-of-heart.  I began inviting people to sit and apply pieces to the concrete forms and found that it felt more inclusive.  Soon, many more people began to join me on a daily basis, so the project has been moving along at a stronger pace, and the whole aesthetic has changed.  Karen comes almost every day to take her mind off of her ongoing lack of employment after losing a State job.  Thor has become an invaluable member of the "team" as he is also seeking work, along with processing the death of a loved one.  He says the meditation of mosaic is very therapeutic, and he is even smoking less.

Other volunteers include Darla Lynn, from South of Portland, OR - over 2 hours away!  Also Teasy, Robin, Jessie, Kaytrin, and more and more.  Today, a whole family sat down and created a little seascape at one end of a concrete bench.

Meanwhile, I am a sympathetic ear for many of the folks who visit the well.  They tell me how important this untreated water is for them.  Most of these people feel possessive of the space.  Some come from places like Seattle and Tacoma on a weekly or monthly basis, filling enough 5-gallon jugs to last until the next trip.

Carol and Donna discuss the essence of water after a Native American blessing, which takes place on the 11th of each month at noon.

But, every day, homeless youth come to the well to brush their teeth, wash their hair, and sometimes to rinse their clothes, laying them out in the sun to dry.  These folks also feel a sense of propriety, but often, you can feel the disdain when someone of privilege comes to fill jugs, to find a band of young people using the place to clean up.  On one hand, many people of all class levels come to this one place, and most are kind and friendly to each other.  On the other hand, I constantly hear animosity and misinformation in the things people say to each other at the well.

People say that the City only purchased the well to take possession of the parking lot so they could generate more revenue.  Others say they did it so they can police the space and control behavior.  They tell each other that the City painted over the murals.  If I ask where they heard the information, they can't answer.  One man asked me, "Isn't it obvious?"

I understand that disenfranchised people feel a reasonable distrust of authority, but these attitudes are not based on any real information, and they are polarizing.  It is sad to see so many people coming to this place for the same purpose, but looking at each other with suspicion and fear, and spreading paranoid rumors.

I hear people complain that "they took the Olympia out of the well" when they took steps to improve the space, turning it into a mini-park.  I hear others complain that the improvements are so industrial looking that they are an insult to the spirit of the Artesian Well.

As the mosaic has come together, people have been very supportive.  For those who felt the concrete forms were ugly, they are excited to see them covered in sparkling color and design.  For those who felt it was too "yuppified", the inclusivity of the process has made them feel that it is by and for the community, and everyone who has worked on it brings people by to show off their contribution.  So, my hope is that by facilitating this process, I will create a convergence point.  The well is an incredible natural resource, accessible to everyone.  It is a gathering point; a crossroad for people from all stations of life and for all opinions.  Here the twain shall meet: at the well.

It took 2 weeks to complete this section of the project.  I expect to work at least 2 more weeks to cover all of the concrete forms.

Putting the Art in the Artesian Well

That's me in the silly hat, with Darla, who drove from South of Portland to help out.

On Friday, I got to the well early and set up my canopy.  It didn't rain as hard as on Thursday, but the canopy really helped to keep the area dry.  My first visitor that day was a man who was convinced that all of the small mirror pieces contained video surveillance units.  He accused the next visitor of following him, then asked me a lot of questions about my religious beliefs before commenting that I was wielding a sharp implement and moving on.  In fact, I was using a carving tool to get thinset from between tesserae.  This process is pretty easy the morning after I adhere the fish, but I have learned the hard way that it is nearly impossible by the next afternoon.

It was cold on Friday, though not as nippy as Wednesday and not as wet as Thursday.  Darla Lynn arrived at about 10am and it was great to have company all day, and the extra help filling in the space between fish.  At one point, a very sweet woman came along and asked if she could put some pieces on.  Darla helped butter the backs and let her place them.  She put a cluster of green glass tiles on, with some backwards, but she was so happy it made me want to open the whole process up and make it more participatory.  Considering I have only a few weeks to complete the project, inviting the community could help me to meet the deadline.  What I lose in consistent spacing, I gain in speed and connection to the people who use the well.  I told her she can help me again when she finds me there.

The sun came out in the afternoon, so I kept working until 6:45.  I had worked over 9 hours.  I was incredibly sore and drained from interacting with people all day.  I took Saturday off to be with my family, but I returned to the well on Sunday because I was worried about the thinset that had squished up between the fish on Friday.  This is when I discovered that it is vital that I do not apply new fish unless I am able to return the following morning.  (I also discovered that someone had urinated on the plastic covering over the pillar.)  I spent 2 hours carving out very hard thinset, until my hands were aching and a little bit bloody.  By the last fish, the thinset was like concrete and I gave up.  I'm thinking of using a lighter shade of grout so that it won't be too obvious.

Today (Monday), Alan came down to do some filming.  He has been documenting the whole process.  Later, I had two volunteers show up to help fill in the background, plus Lisandro!  We didn't have quite enough tools and containers for everyone to work at once, but I was being whisked away by a photographer from a local magazine, so it was wonderful that I had helpers to continue working in my absence.  I think, with planning, I could accommodate more volunteers and that we could get this project finished very quickly.  Today, it felt like all I could do to keep people supplied with thinset, tools, and materials.  From now on, I'll apply new fish first and start the grouting process while others fill in the negative space.  It is wonderful to have help, and it really increases the fun factor.

Artesian Well Mosaic installation day 2

I returned to the well yesterday with renewed enthusiasm and a thick, wool coat, hat and hooded rain slicker.  It was pouring rain, but at least I was warm to the core.  I assembled a tarp over my work space, unwrapped the post I'm working on, and got started.

Lisandro came down to help, and it was very nice to have two of us digging out yesterday's thinset, making the work faster and less tedious.  Here is a photo of the thinset squished up between tesserae:

The flat spots are where it pushed against the tile tape that held the fish together until they could be set into mortar.

Here is Lisandro, scraping away at thinset with one of my carving tools:

Luckily, the thinset came out very easily.  The gloves were a good idea.  I realized that scraping thinset is just going to be how I start each work day until this is over.  Since the tess are all different sizes, some with slight curvature, in order to ensure full adhesion, I have to put the mortar on in a thick bed, and it is going to squish through.

So, here is the first fish with thinset carved out, so that grout can be applied later.  Ain't it cute?

The rain was incessant yesterday.  Poor Lisandro was soaked and left after lunch to avoid being miserable and getting sick (smart.)  Thanks to our friend Tara, who went to meet Anouk getting home from school, I was able to work until 3pm.  Since the rain blew in at an angle, I worked under the kiosk, on the surface facing the camera.  An overhang and the tarp kept that spot dry, but I had to dry each piece with a towel before putting it into thinset, and rain was getting into everything.  It was a slippery mess.  (But at least my thinset wasn't setting up super fast like the previous day.)

With a brimmed hat and big hood on my head, every single time I went to stand up, I forgot about the metal bar over my head.  Whack!

Furthermore, several times, I walked right into the door of my wagon when I went to get supplies.  I felt like an idiot, and I have multiple bumps on my head today.

Today, a mosaic artist from Oregon is driving up to assist me.  It is pouring rain again, so I'm taking my big canopy.  I find that having an assistant really makes the work go faster, plus it helps to have a buffer from the public.  Most of the steady flow of people filling containers are perfectly sane and sober, offering a jaunty "Good Job!"  or whatever friendly encouragement comes to mind.  But there are also a lot of colorful characters, staggering and slurring, announcing, "I'm here to help with the mosaic!"  When I try to explain that we are all set, thanks, they are offended and either tell me about their bid for City Council or attempt to ride off on their bike in a huff, only to have a shoe come off, fall on the concrete, and complain that I'm not helping.

So, I very much welcome company, if only to explain the project to everyone and help me keep on task.  With only a few hours each day to make progress, every conversation sets me back.  I wouldn't say no to a soy latte, either.

Artesian Well mosaic installation, Day One

I had a late start this morning.  The car needed to be packed with buckets, mixer, thinset, materials, tools, dropcloths, etc.  Then a business matter came up that I needed to take care of, and by the time I got to town, it was 10am.

Luckily, there is a water source right there at the job site.  And I cleared with LOTT (our water treatment center) where I could rinse my buckets, so that is all kosher.

I had this plan: to smear dry grout into the grout lines of the taped fish before applying them to the thinset, so that the thinset would be prevented from squishing up between the tesserae.  This did not work out.  The powder fell out all over as I tipped the fish into the thinset bed, and mixing grout and thinset together just made a mess out of the process.

So, I abandoned that idea right away.  When I used my notched trowel to even out the mortar, it didn't fill some of the odd, curved shapes (like sea glass), so I began laying the mortar on with a spatula.  Thinset is squished all into the grout-lines, quite visible through the clear tile tape.  I have no choice but to go back later and carve it all out.

While it was pretty darn balmy out here in my neck of the woods, it turned out to be cold and windy in Olympia.  I was shaking like a scared rabbit out there, hunched over, dropping my pieces every which way (usually into my thinset bucket.)  The mortar was setting up much faster than usual, probably because of the wind, so I tried to work as fast as possible.  It was a mess.  The lay of the tesserae is much more rudimentary than I would prefer, and there is thinset stuck to all of the surfaces.

My phone alarm was set for 1:30 so that I would have time to clean up and race back to Elma to pick up 3 girl scouts and get them to their meeting on time.  That is a very short, frantic work day.

So, I expect to have quite a fix-it job tomorrow, but I will also be more prepared.  I'll take layers of clothing to be prepared for any weather.  I'll be sure to get a caffeine fix before arriving - something I did not do today.  I'll get an earlier start.  I'll take my knee pads so that I am not in extreme discomfort the whole time.  I'll slow down and take more care with the layout.

I only managed to cover about 2/3 of one side of one pillar, so there is still time and room to turn this around.  On Friday, a mosaic artist from south of Portland is going to drive all the way to Olympia to work along-side me!  It will be very nice to have the help and the company.

Not that I didn't have company; the stream of visitors filling water jugs was nonstop today, and most people wanted to talk.  Predominately, they wanted to know what the heck I was doing to the well?  Some felt compelled to share the history of the well, and one person relayed a detailed description of a new kind of building material he wanted to invent, along with a method of creating free housing for people in need.  If I understood correctly, the structures would be made of corrugated cardboard and the exteriors would be mosaic.

So, it was a day of reckoning of sorts.  I've worked really hard on this project for the past 6 weeks, but it is clear that I am just beginning.  But, when it is done, it will be a really fun place to fill up your jugs.

So Long and Thanks for All the Fish!

The community-participation aspect of the Artesian Well mosaic project took place this past weekend, in partial conjunction with Olympia's Spring Arts Walk Festival.  I anticipated a good turnout on Saturday, because it coincided with the festivities, where many downtown streets become pedestrian-only, filling with jugglers, musicians, and citizens interested in enjoying the art and fun atmosphere.  I wasn't sure what to expect on Sunday.

We were not disappointed!  We managed to set everything up early, and we had participants coming by already, so we had several people already in progress on their fish well before the official noon start time.  From there, it was a full house all day, with people always waiting for a spot to open up.  We had to improvise and set up extra spots.  Volunteers found extra chairs and we accommodated as many people as possible.

I was very impressed that so many volunteers showed up and jumped right in to help.  Alan Rodgers was there when I arrived, and helped Lisandro and I with the whole set-up, both days.  After that, Jamie, Karen, Tina, and Bryn jumped in, helping new participants find spots, cutting and laying down contact paper, explaining the process, nipping when necessary, and wrapping and stacking the completed fish.  Frank Lynam helped with clean-up both days.

We had snacks and beverages provided by Grocery Outlet, and Vic's actually delivered pizzas for the volunteers both days!  It was most appreciated, since we really didn't have time to take breaks.  We just took it in turns to go off to the side and wolf down a slice.

As busy as it was, it all went off without a hitch.  We had plenty of materials, we managed to rotate people through at a good pace, getting new people set up quickly.  Two sets of wheeled nippers walked away on Saturday, which was disappointing, but that is the worst thing that happened, and it is quite minor.

Many people worked in groups, often teaming up on one fish.

Pizza delivery accomplished, time to make a fish.

Getting started.

Beautiful fish!

Dad and daughter working side-by-side.

The crowd rotated through, changing throughout the day.

I think it took, on average, about an hour for each person to complete a fish.  A few people spent half the day, using smaller pieces and putting careful effort into their creation.  Some people went with larger pieces and more abstracted fish.  We gave them some simple guidelines (take care with sharp edges, leave space between pieces, try not to mix up all of the colors, have fun) but it was impossible to really exercise quality control.  I will spend today and tomorrow adjusting each fish and covering the surfaces with tile tape.

This weekend was both exhausting and invigorating at the same time.  The fish-makers were all so excited, they expressed over and over that this was one of the most fun experiences they'd had in a long time, that they loved how the design incorporated the community, and they each took photos of their fish so they can find it easily when the whole project is finished.  People working on mosaic under that canopy over the weekend included a wide cross-section of the community, from all socio-economic and ethnic backgrounds.  We had fish made by toddlers and elderly people.  Whole families worked on one fish, and a couple of adults came by both days because they had so much fun the first time.  At the end of Saturday, we had made 82 fish.  (I haven't counted Sunday's yet.)

Vince Brown and Monica Peabody came by and played music for us on Sunday!

So, the community mosaic project was a great success.  Now for the serious work of transferring all of that hard work onto the concrete forms around the well, filling in the space between them, and getting it grouted.  My biggest fear is that there are some people who will sabotage the work while it is in progress.  I will have to leave ungrouted mosaic untended, and it might be tempting for some people to pry the pieces off and ruin the work before it is finished.  I certainly hope that will not be the case.

Thank you to everyone who came to help, both volunteers and fish-making Olympians!  I could not create this project without you!  And extra special thanks to Lisandro for organizing the donations, helping to keep track of materials, and volunteer recruitment and scheduling.

Artesian Well Community Mosaic - Next Week!

I meant to keep updating this blog about the progress of the community mosaic project, but I've been pretty overwhelmed with getting ready, and documenting the process hasn't been a priority.  I feel utterly grateful to have an intern, Lisandro Perez, who has taken on donations acquisition, volunteer organizing, and keeping track of the pallet at Furniture Works.  Meanwhile, I've been trying to get the word out to all event calendars and print media, going through all of my own materials to contribute as much as I can, and going to community groups to do the project the way it will be done next weekend so that I work out the kinks ahead of time.

Luckily, every group has done a great job making mosaic fish, it has been fairly simple to explain and execute, and only one person has cut themselves on a piece of glass.  Fish have been made by students at Choice High School, a McCleary girl scout troop, and the Olympia Senior Center.  We have 40 fish made already!  Meanwhile, Seattle Mosaic Arts graciously offered to create some fish to contribute.  Claire, the owner of SMA, originally convinced me to try her contact paper-tile tape method, and I can't tell you how helpful that is.

We were becoming anxious when we had only 2 weeks to go and only a fraction of the materials we would need to cover the surfaces of the concrete forms.  But then, Advance Glass and Spectrum Glass both pledged donations of surplus stained glass!  I will drive to Spectrum Glass in Woodinville tomorrow to pick up 150 lbs of glass, which is a huge relief.

So, everything is coming together.  I hope we have an enthusiastic turnout to ensure as much community participation in this project as possible.  Don't forget: noon to 4pm on Saturday and Sunday April 28th and 29th at the Artesian Well on 4th and Jefferson in downtown Olympia.  Also, we could still use a couple more volunteers.  If you are interested, email Lisandro: artesian.well.mosaic@gmail.com.

Olympia Artesian Well mosaic beginnings

I will be honest; I'm a little bit nervous.  Last weekend, I attended Laurel True's slideshow presentation about her most recent project in Haiti.  It is a 140 s.f. mural that took 3 months to complete, with a dedicated crew working long days, 6 days per week.  The surface area of the Artesian Well project is also about 140 s.f.  I will begin adhering the design at the end of April and it is supposed to be completed by mid-May.  The original time frame was not to exceed 2 weeks, but the City is giving me a bit of leeway to make sure it is done with integrity.  Laurel also had a large budget and a giant pallet of colorful tiles to work with.  I have no idea what I will have at this point.

But, mine is a very different kind of project and I think everyone understands that.  The design will be guided by what I am able to get from the community, both in materials and labor.  It will be fun, full of texture and different materials, so that people visiting will find little surprises throughout. 

I feel extremely lucky that an Evergreen student happened to request an internship for this quarter, and he happens to have a background in community organizing, so he will be my Olympia liason, helping with materials acquisition and many other aspects of the project.  What a great gift!  An assistant!  I can't tell you how happy it makes me.  So, you will hear more about Lisandro as I continue to document this process.

Here is how it will work:  I will provide simple fish templates and clear contact paper.  The contact paper will be placed, sticky-side up, over the design.  Participants will stick pre-nipped pieces of similar colors onto the design.  We then use one of two different methods to hold those pieces in place; one is tile tape (for relatively flat mosaic) and the other is cheesecloth soaked in a flour paste (for mosaic with different thicknesses.)  Once the fish are sandwiched, they can be stacked and stored until I am ready to place them into mortar.  At that time, I can easily peel the contact paper off of the bottom and lay the fish right into a bed of thinset.  After that, I'll work on the blue/green background, putting it directly onto the concrete, and after curing time, it will be ready to grout. 

My daughter made this fish from glass scraps.  It is sandwiched between contact paper and tile tape.

I hope to have a lot of warm colored tile, glass, broken dishes and other solid materials to incorporate.  Glass gems are great for bubbles and eyes, big beads can be mixed in, fused glass would be a great addition.  I encourage any artists working in high-fired pottery or fused glass to make some smaller (say 6" and under) fish to place between the larger ones.  If you have big fish beads, or want to buy things like this to contribute, I would really appreciate it. 

I've been fusing little fish out of my scraps. I'm totally new at fusing, so I'm winging it.

The complete budget for this project amounts to $13 per square foot, which is not nearly enough to cover materials, let alone all of the incremental expenses.  So, I am keeping my fingers crossed that people will help out by donating to this project.  Just imagine the pleasure of stopping by the Artesian Well to fill your jugs, and spotting that Fiestaware that you never did glue back together or the tile that was part of your shower before the remodel.  Also, if anyone has connections to a flooring or glass supply company, please bring any colorful overstock to Furniture Works.  If you don't have materials, just stop by the Well during Arts Walk weekend and help piece some fish together.  It's going to be fun!

Navigating the Public Art Process

This exterior panel was made to commemorate the new Food Bank, which is supplied in part by the organic garden at the Senior Center.  They rock.

Having completed a handful of very modest public art projects, the largest being a 4' x 2.5' mosaic panel for the Federal Way Senior Center, I didn't think this project could be much more complicated.  The budget is very, very small, barely more than I've been allotted for much smaller projects.  But, it is more formal and complicated.

For one, this is permanent.  It is going directly onto concrete forms, and is designed to last a lifetime.  Next, I have to do the work on site.  In the past, I've done most of the work in my studio, then had it installed, usually by -or in collaboration with- a contractor.  And finally, it involves community participation, which not only brings up liability issues, it also ensures unpredictability.  I don't know what the materials will be.  I don't know who will be helping me.  Anything can happen, and probably will.

So far, Ken, the owner of FurnitureWorks has graciously agreed to accept and hold the materials as they come in.  He is located right downtown, easy for everyone to get to, and it will be a short trip when the time comes to move it all to the project site.  So that is awesome.

I had to purchase a City of Olympia business license, which is technically required every time an artist operates business within the city limits.  I do exhibits and events several times per year in Olympia, but it has always been too painful to pay the $95 for the license, considering how small my annual budget is.  This time, there is no getting around it.  So, I'm legal now, and $95 poorer.

Next, I am required to carry liability insurance to do this project.  So far, one agent has estimated that it will cost me about $500.  This is far more than I had expected, and I'm still researching my options.  Some of my friends have business insurance for closer to $300/year, but I don't know if that covers general liability in a situation like this.  While researching, I am realizing that I really should carry insurance for times when I'm delivering artwork, installing the mosaic on scaffolding or mechanical lifts, and teaching workshops.  I'm a little bit embarrassed that I don't have this in place, but, in my defense, I mainly manufacture the work in my studio or work as a contracted employee of the contractor in charge.  Besides, my business is so sporadic, this (and the stair risers I'm currently finishing) could easily be the only installation I do this year.  And next, for that matter.  So, it's a huge investment when I earn so little.  Most of my budget goes right back into the business, and I have had to claim a loss almost every year.

All of this, and I haven't even seen the contract yet.  I was told to send an invoice for an initial payment so that I can start purchasing tools and materials, so I concocted my usual written invoice in the word processor program that came with my computer.  Right away, I was asked to submit an actual "Invoice" with my UBI number and correct format.  That's a bit embarrassing.  I googled how to create a real invoice, and found this site: www.aynax.com  I was able to make a nice, professional invoice and email it directly to my contact.  You can print, save, download, whatever.  So easy, and FREE. 

I have been applying for public art projects for years, frustrated that I never have the required experience to land anything that could make my business solvent.  This project seems like a nice introduction to a real public art project, with contracts and coordination with several City departments.  I am getting a lot of enthusiastic support from every direction, and I know that, while I've never done something quite like this before, it is well within my ability.  With luck, this will be a foot in the door to some bigger projects in the future.

P.S. Over the next couple of weeks, I get to finally meet and learn from Laurel True, one of my heroes in the world of mosaic.  For many years, she has been helping communities to rebuild and recover with mosaic.  Check out her work: http://www.truemosaics.com/international.html

Olympia Artesian Well Community Mosaic Project

Before leaving for that long stretch of travel and adventure last month, I received a phone call to let me know that I had been chosen as the artist for a new public space in Downtown Olympia.  As long as I can remember, there has been an Artesian spring bubbling out of an old pipe with some concrete pieces stacked around it in a decrepit parking lot downtown.  As I understand it, it is one of the last of some 95 Artesian springs that once gurgled happily throughout town.  Olympia's motto is "It's the Water," and it has been considered a great resource for the City.  There is a constant flow of people filling containers from the well, so you would think it would have been graced with a more fitting environment before now.

But, there is finally a little "park" installed around the well, honoring the fresh spring water that constantly flows up from deep underground.

Olympia's Artesian Well

My proposal is to collect scrap tile, stained glass, found objects, broken dishes, etc. and, during the Spring Arts Walk weekend, the community will be able to create mosaic fish on contact paper that I will later incorporate into a design that will become a permanent surface treatment for the concrete forms.  They don't look like much, but they measure out to about 140 square feet of surface that needs to be covered.

I am very excited to be a part of this project.  I moved to Olympia in 1988 and I love the city and the community.  The people who collect water from this well feel innately connected to it, and they have a protective attitude toward it.  I think involving the community in the project will support that sense of ownership, and I hope people will enjoy returning to the well again and again, seeing something new in the mosaic each time, and always feeling proud to know they had some part in the creation of the artwork, whether they recognize shards from that broken dish they donated, or they see the fish they pieced together out of bits of tile and stained glass.